Tag Archives: Scott Turow

Posted in BAD DEEDS: A Dylan Hunter Thriller, Essays, HUNTER: A Thriller, Inspirational, Vigilante fiction, Writing Advice | Tagged A Kiss Before Dying, Action/Adventure, Alex Berenson, Alfred Hitchcock, Alistair MacLean, Andy McNab, Bad Deeds Dylan Hunter, Bad Deeds thriller, Bidinotto Hunter, Black Sunday, Brad Taylor, Brad Thor, CJ Lyons, Clive Cussler, crime thrillers, Dan Brown, Daniel Silva, David Baldacci, David Morrell, Day of the Jackal, Dean Koontz, Dick Francis, Digital Fortess, disaster thrillers, Frederick Forsyth, Gayle Lynds, Hannibal Lector, High Noon, historical thrillers, horror thrillers, Hungry As the Sea, HUNTER thriller, Ian Fleming, International Espionage thrillers, Ira Levin, Jack Higgins, James Bond, Jaws, John D. MacDonald, John Grisham, Ken Follet, Lee Child, Linda Howard, Lisa Scottoline, Mark Greaney, medical thrillers, Michael Connelly, Michael Crichton, Mickey Spillane, Mike Hammer, military thrillers, mysteries, Nelson DeMille, Nora Roberts, Patricia Cornwell, Patricia Highsmith, Peter Benchley, Political Intrigue, psychological suspense, Rear Window, Richard Condon, Robert B. Parker, Robert Bidinotto, Robert Crais, Robert Ludlum, Robin Cook, romantic suspense, sci-fi, Scott Turow, Star Wars, Stephanie Meyer, Stephen King, suspense novels, techo-thrillers, Term Limits, Tess Gerritsen, The Da Vinci Code, The Eagle Has Landed, The Faithful Spy, The Girl with the Dragon Tattoo, The Gray Man, The Guns of Navarone, The Hunt for Red October, The Man from St. Petersburg, The Manchurian Candidate, The Silence of the Lambs, The Talented Mr. Ripley, The Towering Inferno, Thomas Harris, thriller genre, thriller writing, thrillers, Tom Clancy, Transfer of Power, Vertigo, Vince Flynn, War of the Worlds, Westerns, Westworld, Wilbur Smith | 11 Comments